Its distinctive architecture yields a wide breadth of sonic applications ranging from subtle tone thickening to creating a rich stereo spread to a host of creative sound design special effects. Now players can harness the power of this iconic Eventide effect with the MicroPitch Delay pedal, which offers a unique combination of dual pitch-shifters with fine-resolution de-tuning, delay and modulation – including new positive envelope and negative envelope modulation sources. Its subsequent appearance in the H3000 Harmonizer® further popularized the effect and cemented its place in musical history as a quintessential studio tool. The MicroPitch Delay algorithm has been a mainstay of audio production and musical performance since it was first introduced within the legendary H910 and H949 effects processors.
If you want to support our blog you can buy it through Sweetwater here at no extra charge!Ĭheck out the videos of the Eventide MicroPitch Delay, including our channel’s debut demo video by Griffing Jennings. It also offers multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry.
The pedal is Tap Tempo and Midi-enabled and can store up to 127 presets in memory, with 5 loaded for immediate access. The pedal version harness the creative power of the MicroPitch inside a Stereo stompbox offering a unique combination of dual pitch-shifters with fine-resolution de-tuning, delay and modulation – including new positive envelope and negative envelope modulation sources. Incidentally, the NY-based company is turning 50 this year. The origins of the algorithm behind this effect, however, can be found in legendary Eventide outboard racks (their legendary Harmonizers) like the H910 and H949 and later also the H3000.
#EVENTIDE H910 SERIES#
We now learn this series has a name: dot9. Just like last year’s Blackhole reverb, the newly released MicroPitch Delay is the stompbox rendition of a popular creative plugin by the same name.
#EVENTIDE H910 PRO#
Interviews include Tony Visconti (David Bowie, T.Rex), Shelly Yakus (Tom Petty, Susan Vega), Tony Platt (AC/DC), Jimmy Douglass (Led Zeppelin, Justin Timberlake), Laurie Anderson, Roy Hendrickson (Frank Sinatra, Miles Davis), Tony Bongiovi (Jimmy Hendrix, Talking Heads), Flood (NIN, U2), Kevin Killen (U2, Elvis Costello).Eventide‘s new series of pedals is inspired by their successful line of pro audio plugins. This great video from Eventide is a sales tool for its new H910 plugin, but it’s also an eye opener when you hear what so many of the hitmakers say they used it for and on. The original H910 was subsequently superseded by the H949 and H3000, 4000, etc., devices that were more advanced and more “perfect.” The fact of the matter is the 910’s appeal was because of its limitations and imperfections. It was hard to explain exactly what that was, but you knew it instantly when you heard it. This was a device that did something that couldn’t been done before. Unless you were around back in the early 80s when the first harmonizer was introduced (the Eventide H910), you can’t appreciate what an impact it had on mixing.
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